{"id":647,"date":"2020-01-08T04:39:43","date_gmt":"2020-01-07T19:39:43","guid":{"rendered":"https:\/\/www.gipsyjazznyumon.com\/en\/?p=647"},"modified":"2020-06-21T20:07:35","modified_gmt":"2020-06-21T11:07:35","slug":"stochelo-rosenbergs-guitar-brand-and-picks-strings","status":"publish","type":"post","link":"https:\/\/manouche-jazz-lessons.com\/en\/stochelo-rosenbergs-guitar-brand-and-picks-strings\/","title":{"rendered":"Stochelo Rosenberg’s guitar brand and picks , strings"},"content":{"rendered":"

It seemed people liked the article about Joscho Stephan’s music gear<\/a>, so this time , I’ll introduce you Stochelo Rosenberg’s gear.<\/p>\n

I don’t think it’s necessary to tell you who Stochelo is , but just in case if you are not familiar with him , here is the biography.<\/p>\n

Who is Stochelo Rosenberg<\/h2>\n

Stochelo was born on 19 Feb, 1968 in Helmond, Netherlands. He has 4 brothers and one sister called Sephora whom he wrote a song for called For Sephora.<\/a><\/p>\n

He started playing a guitar when he was 10 , which I have a doubt about. He should’ve started earlier I suppose…<\/p>\n

He learnt from his father , uncle , and of course Django’s records.<\/p>\n

He formed the Rosenberg Trio with his cousins Nous’che and Nonnie.<\/p>\n

When they were younger , their music was quite aggressive and tried to be faster and faster but now, they sound very smooth and nice.<\/p>\n

Stochelo Rosenberg’s guitar<\/h2>\n

\"Stochelo<Stochelo Rosenberg model\/ Eimers guitars><\/span><\/p>\n

Stochelo used to use Jacques Favino Guitar<\/strong> then started using Selmer 504<\/strong>. Django used selmer 503.<\/p>\n

But his selmer was on sale in 2010, probably somebody else got it by now and he uses Eimers Guitar.<\/strong><\/p>\n

If you want to buy Stochelo’s model, you can contact https:\/\/www.eimersguitars.com\/<\/a><\/p>\n

If you live in EU then 3850euro, non-EU resident for 3182euro because of no VAT.<\/p>\n

There are a few models.<\/p>\n

\"Stochelo<\/p>\n

Also Jacques Favino guitar is very famous in france and it’s been around since 1964.<\/p>\n

But now jacques Favino became Jean-Pierre Favino who build custom-made guitars.<\/p>\n

You can have a look at his work here. Jean-Pierre Favino<\/a><\/p>\n

Stochelo Rosenberg’s pick<\/h2>\n

\"stochelo<\/p>\n

Stochelo uses Wegenpicks Bigcity 1.4mm<\/strong> .\u00a0Wegen is very popular to gypsy jazz guitarists.<\/p>\n

Bright and sharp sound, I would say.<\/p>\n

Even it’s bit pricey , you can buy it from wegenpicks.com<\/a><\/p>\n

If you want to buy it immidiately then amazon.co.uk<\/a><\/p>\n

me, personaly I like Dunlop picks and I use dunlop primetone 3mm<\/strong>.<\/p>\n

Bireli Largrene ,Gonzalo Bergara , Adrien Moignard,Robin Nolan etc…those great gypsy jazz guitarists use Dunlop Derlin <\/strong>.<\/p>\n

Buy Primetone on amazon.com<\/a> or Dunlop Delrin<\/a><\/p>\n

Buy Primetone on amazon.co.uk<\/a> or Dunlop Delrin<\/a><\/p>\n

Strings Stochelo Rosenberg uses<\/h2>\n

\"strings<\/p>\n

Stochelo uses D’addario gypsy jazz strings and Galli Strings<\/span>.<\/p>\n

I was quiet surprised that he doesn’t use Savarez Argentine<\/strong> which most gypsy guitarists use , also Django Reinhardt used to use Argentine.<\/p>\n

Anyways if you want your guitar sounds close to stochelo’s then you can try D’addario or Galli.(there are 010 or 011 guage)<\/p>\n

Buy D’addario gypsy jazz strings<\/a> on amazon.com or Galli strings.<\/a><\/p>\n

Buy D’addario gypsy jazz strings<\/a> on amazon.co.uk<\/p>\n

Another Lessons<\/h2>\n

Now you know all you need , don’t you?<\/p>\n

You never know if you like the sound or not until you use the picks or strings. They are not expensive so try them out. You may like it , may not.<\/p>\n

\n

Must-Have-Items for gypsy jazz guitarists<\/a><\/p>\n

Must-Know gypsy jazz chords<\/a><\/p>\n

Daily arpeggios exercise<\/a><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

It seemed people liked the article about Joscho Stephan’s music gear, so this time , I’ll introduce you Stochelo […]<\/p>\n","protected":false},"author":1,"featured_media":648,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5,6],"tags":[],"class_list":["post-647","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-knowledge","category-must-have-items"],"_links":{"self":[{"href":"https:\/\/manouche-jazz-lessons.com\/en\/wp-json\/wp\/v2\/posts\/647"}],"collection":[{"href":"https:\/\/manouche-jazz-lessons.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/manouche-jazz-lessons.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/manouche-jazz-lessons.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/manouche-jazz-lessons.com\/en\/wp-json\/wp\/v2\/comments?post=647"}],"version-history":[{"count":3,"href":"https:\/\/manouche-jazz-lessons.com\/en\/wp-json\/wp\/v2\/posts\/647\/revisions"}],"predecessor-version":[{"id":852,"href":"https:\/\/manouche-jazz-lessons.com\/en\/wp-json\/wp\/v2\/posts\/647\/revisions\/852"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/manouche-jazz-lessons.com\/en\/wp-json\/wp\/v2\/media\/648"}],"wp:attachment":[{"href":"https:\/\/manouche-jazz-lessons.com\/en\/wp-json\/wp\/v2\/media?parent=647"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/manouche-jazz-lessons.com\/en\/wp-json\/wp\/v2\/categories?post=647"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/manouche-jazz-lessons.com\/en\/wp-json\/wp\/v2\/tags?post=647"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}